A.VE.NU.DE.JET.TE: Jochen Lempert - FINISSAGE - SCHMELZDAHIN

zondag 27 mei 2018

Jochen Lempert - FINISSAGE - SCHMELZDAHIN

Saturday 26 May 2018, filmscreening of 5 films by Schmelzdahin:
Jochen Lempert, Jochen Müller, Jürgen Reble

SCHMELZDAHIN

(keine Grundlage für Denkstrukturen)

Schmelzdahin (melt away) is a film group which worked in Bonn between 1975 and 1989. Members: Jochen Lempert, Jochen Müller, Jürgen Reble. Formation of the Film group 1979 in Bonn. Schmelzdahin jointly carry out research in the fields of shooting, montage and material processing. As a part of this, lengthy studies relating to the effects that bacterialogical decomposition, disintegration, and chemical processes have upon film emulsion were carried out. Within a period of ten years, some 20 short films are made and published world-wide carrying the Schmelzdahin name, without any personal reference being made to the artists. The selection programme „Ein harter Falter“ was on tour from 1988-89, together with the film performance „Wir lagern uns ums Feuer“. Some 30 screenings take place in West Germany, Switzerland, the USA, and Canada. Break up of Schmelzdahin in 1989.

Der General
Exquisite Western
Onkelschrompel
Situs wie Jod iset ab ernit
Weltenempfänger

15 Tage Fieber

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Adress:
Avenue de Jette 41 - Jetselaan 41
1081 Koekelberg / Brussels
Metro Simonis, 10 minutes walk.

A.VE.NU.DE.JET.TE - INSTITUT DE CARTON vzw is an initiative launched by a few artists aiming at organising a special show in a privately owned house in Brussels, approximately twice a year.
In 2011 we started with a series of 52 drawings after Shakespeare’s Macbeth, made by Paul van der Eerden. 2012 kicked off with Les secrets de la mémoire, a series of 124 blackouts by Willem Oorebeek. Followed by Locus Solus Domesticus, a group show inspired by Raymond Roussel's novel Locus Solus that could only be visited with Cantarel-like guides.

In the first half of 2013, we showed photo works by Sarah Deraedt, Maartje Fliervoet and Katja Mater. And in the second half, the Dutch artist Jan Andriesse was our guest of honour in a show called Maison de Tolérance.

In 2014, we continued with FORCEFIELD, a drawing show built on the confrontation of two extremes: an abstract drawing by the Swiss healer and artist EMMA KUNZ (1892-1963) and an awfully realistic drawing by the Indian artist FRANCIS NEWTON SOUZA (1924- 2002).

In the spring of 2015, Suchan Kinoshita set up her Operation Theatre, an experience the visitor could only live when the theatre was being operated. In the autumn of the same year, we organized a marathon screening of the Operating Theatre footage.

In the first half of 2016 we mounted the show MIND FABRIC, a conceptual approach to textiles, fabric, patterns and systems in art. The remainder of 2016 and the first months of 2017 Institut de Carton fell into a kind of hibernation, due to other time-consuming activities of the founders.

In September 2017, Institut de Carton will be awoken by La Vie Palimpseste La Vie, a retrospective of works by Henri Jacobs, comprising paintings, drawings, tapestries, textile works and porcelain.

Beginning 2018, we will show works by Jochen Lempert, a German photographer who studied biology before turning to photography in the early 1990s. In his analog black and white pictures animals and nature play an important role. In the second half of next year we intend to stage works by artists from different origines, living in Brussels: Un cercle bruxellois.